How we are going to use sound...
(Setting One)-In setting one; we will use complementary sound and light orchestral music to harmonise with the action on screen. We are likely to use a lot of Foleys in this scene to emphasise certain props and in certain places create suspense. We will use Foleys so that the spectator can hear things they usually would not be able to- e.g. burning cigarette ends, or louder typing.
(Setting Two)- Much like in setting one, we will use a range of Foleys to signify meaning within the sequence. Closer to the point of editing, we will decide whether or not we use music in this part of the sequence- it depends on which creates more suspense. We will also use a range of off-screen deigetic sounds so that the spectators knows that these sounds are coming from the current setting.
-We are still to decide whether or not the music will be Deigetic or Non-Deigetic in Setting Two.
Good initial plans for sound.
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